Kenyan singer, entrepreneur, and philanthropist Esther Akoth, better known as Akothee, has voiced her anger over what she calls double standards in how she is treated by government officials and society.
In a candid social media post, Akothee revealed that despite being nominated for a Presidential Award in recognition of her charitable work in Migori County, her name was later removed from the final list of awardees.
“Kenya will never award me, even for being the most naked woman, but tag me in all fundraisings for vulnerable people,” she wrote, expressing frustration over being celebrated for influence but not officially acknowledged for impact.
“Used for Charity, Ignored for Recognition”
Akothee explained that in 2023, a local chief commended her as one of Migori County’s most dedicated philanthropists and encouraged her to submit her profile for a national honor. However, after completing the application process, she was informed that her name had been removed — a move she believes was politically driven.
The singer pointed to her visible contributions, including renovating an airstrip and facilitating a commercial flight landing in Migori, as evidence of her commitment to community development.
She lamented that her involvement is welcomed when it benefits others but dismissed when recognition is due.
“I am a brand; I come at a cost of two million for appearance,” she said, recounting a recent incident where she declined a fundraising event after being asked to attend without compensation — a decision that sparked controversy and even led to her breaking glasses in anger.
Public Image vs. Philanthropic Impact
Akothee’s outspoken nature and bold fashion choices have often attracted public criticism. In 2019, she was briefly denied entry into Parliament over her outfit, which she jokingly described as “a mini skirt.”
The award-winning musician believes her image overshadows her impact, as society often focuses more on her wardrobe than her extensive charitable efforts through the Akothee Foundation, which supports education and vulnerable families.
“I’m not paid to be anybody’s role model,” she has stated. “Parents should be the ones guiding their children, not celebrities.”
Balancing Fame, Judgment, and Philanthropy
Akothee’s remarks have reignited public debate on the treatment of outspoken female figures in Kenya’s entertainment and philanthropic spaces. Many fans have supported her, arguing that her achievements should not be diminished by her public persona.
Her story highlights the conflict between perception and contribution — how one can be both celebrated and criticized for the same reasons. Despite controversies, Akothee continues to focus on her music, businesses, and humanitarian work, reminding followers that she will not seek validation from systems that fail to acknowledge genuine impact.
“I will keep doing good, with or without their recognition,” she concluded.
