Ibraah has taken his contract termination battle with Harmonize to BASATA, Tanzania’s arts council, marking a significant step in the escalating standoff with his label, Konde Music Worldwide. The artist, formerly the last remaining signee under the label, confirmed that he has officially lodged a complaint to seek intervention in the matter. According to Ibraah, Harmonize is demanding one billion Tanzanian shillings for him to terminate his contract, a sum he claims far exceeds his earnings from music.
Speaking during a radio interview, Ibraah shared that the situation has reached a critical point, leaving him with no choice but to seek legal redress. He explained that despite attempts from government officials to dissuade him from this path, he proceeded with filing his complaint, expressing gratitude that his case has finally gained attention. He acknowledged the complexity of the situation, stating that the dispute has reached a stage where working together is no longer feasible.
Ibraah expressed willingness to surrender whatever the label deems its rightful property if the contract cannot be terminated. He emphasized that his decision to approach BASATA was driven by the need for fairness and clarity in the resolution process. While some government leaders advised him against escalating the matter, he remains firm in his stance, asserting that it is necessary for his artistic freedom and career growth.
The conflict first came to public attention when Ibraah appealed for financial assistance from fans to raise the required amount for his contract termination. He later revealed that the money collected was used to cover medical expenses for his mother, who underwent breast surgery. This unforeseen event derailed his initial plans, but Ibraah remains committed to resolving the dispute.
The ongoing conflict mirrors past struggles faced by other artists seeking to exit music labels. Harmonize himself experienced a similar situation in 2019 when parting ways with WCB Wasafi, a label led by Diamond. During that period, he claimed he owed 600 million Tanzanian shillings to finalize his departure. To fulfill the financial obligations, Harmonize resorted to taking out loans and using his assets as collateral.
Ibraah’s dispute highlights a broader issue within the music industry, where artists often face significant financial and contractual barriers when attempting to leave their labels. The tension between artistic independence and contractual obligations remains a point of contention, underscoring the need for transparent and fair agreements.
The outcome of Ibraah’s complaint to BASATA will be crucial not only for his career but also for setting a precedent in artist-label disputes within the Tanzanian music industry. As the situation unfolds, many are watching closely to see if a fair resolution can be achieved, potentially reshaping the dynamics of artist rights and label agreements in the region.
