Kenyan gospel artist Kris Erroh has sparked intense debate after alleging that Wakadinali’s viral hit “Kum Baba” heavily borrows from his 2011 gospel anthem “Mmh Baba.” The seasoned musician took to Instagram to voice his concerns, sharing a video comparing the two songs and pointing out striking similarities in their choruses and melodic structure.
In the video, Erroh plays both tracks side by side, emphasizing the repetitive phrasing and rhythmic patterns that closely align. His tone, while calm and measured, conveyed clear disappointment. “I’ve been hearing this song for the past two or three weeks, and I can’t help but feel it’s derived from my original work,” he said in a voice note accompanying the post.
“Mmh Baba” is considered one of Erroh’s most iconic songs, celebrated for its uplifting message and memorable chorus. The track remains a staple in gospel circles and has continued to resonate with fans over the years for its spiritual depth and catchy hook.
On the flip side, Wakadinali’s “Kum Baba,” featuring industry heavyweights such as Abbas Kubaff, Wakuu, Pepela, and Masterpiece King, has quickly become a sensation in Kenya’s hip-hop scene. The track’s gritty, street-inspired energy is punctuated by a repetitive “Kum Baba” chant that bears a noticeable resemblance to Erroh’s original gospel refrain.
The similarity has not gone unnoticed by fans, with social media users split on the issue. While some back Erroh’s claim of uncredited influence, others argue that the phrase and style could have been used coincidentally.
Wakadinali and their production team have remained silent on the matter, neither denying nor acknowledging the claims. Kris Erroh, however, insists that he is not seeking a feud but rather recognition. “I’m not against people being inspired,” he wrote, “but credit must be given where it’s due.”
This controversy has sparked broader conversations around copyright, artistic integrity, and the importance of acknowledging creative influences in Kenya’s evolving music industry. Whether or not Wakadinali responds, the situation underscores the fine line between inspiration and appropriation.
