Kenyan social media personality and content creator Shorn Arwa has set tongues wagging after delivering a frank review of celebrated Ohangla star Prince Indah’s recent live performance.
Taking to her Instagram Stories, Shorn revealed that she had attended one of Indah’s shows for the first time. While acknowledging his strong reputation and the hype surrounding his performances, she admitted the experience left her with mixed feelings.
“I watched Prince Indah perform for the first time yesterday,” she shared. “This is from somebody who’s watched him being so hyped, and I want to believe from the posts he should have been the man of the night. I want to believe. But for me, I don’t think Prince Indah is an entertainer. I think he is more of a musician, a singer.”
In her assessment, Shorn argued that Prince Indah’s strength lies in his vocal talent and studio recordings rather than stage showmanship. “I think it’s better when we listen to his music on YouTube,” she continued. “I do not think he’s an entertainer. I do not think, and I don’t stand to be corrected. That’s my own opinion take it to the bank.”
The influencer contrasted Indah’s set with another act she witnessed on the same night, whose performance included a lively acrobatic dancer. According to Shorn, this added a vibrant, engaging element to the show that resonated with the audience in a way Indah’s act did not.
Her comments quickly sparked debate among fans and followers, with some agreeing that a great musician is not always a great entertainer, while others defended Indah’s style, praising his live shows as authentic and emotionally powerful.
Prince Indah, known for hits such as Herawa Ni, has built a loyal fan base for his deep Ohangla roots and lyrical storytelling. However, Shorn’s critique has brought to the surface a broader discussion within Kenya’s music scene: Should live performances prioritise vocal delivery, or is dynamic stage presence equally important?
As the online conversation continues, one thing is clear Shorn Arwa’s candid remarks have reignited the age-old debate about the balance between artistry and entertainment in live music.
