Kenyan hip-hop heavyweights Wakadinali have shaken up the local music scene once again with the release of their latest album, Victims of Madness 2. Dropped on 28 June 2025, the project builds on the raw energy of its 2020 predecessor, pushing boundaries with a sound and message that feel more urgent—and more refined—than ever before.
Known for their unapologetically bold lyricism, the trio—Scar Mkadinali, Domani Munga, and Sewersydaa—go even deeper into the heart of Nairobi’s urban culture. Across 22 tracks, they explore complex themes of crime, poverty, betrayal, loyalty, ambition, and survival, painting a striking picture of the realities many face in Kenya’s inner cities.
The sonic landscape of the album is just as dynamic as its storytelling. Wakadinali masterfully blend elements of drill, trap, boom bap, and gengetone, showcasing a refined production style that balances experimentation with the authenticity that has long defined their sound. Their use of Swahili, Sheng, and English remains seamless, anchoring their identity while expanding their appeal.
Before the album’s full release, a trio of singles—Maproso, Hizi Stance, and Tamashani—had already captured the public’s attention, dominating playlists and airwaves. These tracks offered a glimpse into the thematic and musical depth to come, serving as a powerful prelude to the full experience.
Lyrically, the group has grown noticeably. Their verses hit harder, their flows are sharper, and the emotional weight behind their words resonates with a clarity that signals artistic maturity. There’s a clear intention behind each song—whether it’s exposing the scars of street life or celebrating hard-earned victories.
A major highlight of the album is its rich roster of featured artists. From iconic voices in East African rap like Abbas Kubaff and Kitu Sewer to fresh talents like Katapila, Pepela, and Sodough Dough, the collaborations bring additional layers of depth. One particularly memorable feature comes from Suzanna Owiyo, whose soulful delivery cuts through the noise, blending genres and eras in an unexpected yet powerful way.
But this album isn’t just a musical showcase. It’s a cultural statement—a reflection of Kenya’s youth, their challenges, their hopes, and their fire. Victims of Madness 2 gives voice to a generation that often goes unheard, channeling anger, pain, resilience, and pride into bars that refuse to be ignored.
Where the first Victims of Madness announced Wakadinali as a force in the Kenyan hip-hop landscape, this sequel solidifies their legacy. It’s a fearless body of work that documents not just a sound, but a social reality—a modern-day street chronicle delivered with raw intensity and masterful control.
In this album, Wakadinali aren’t just spitting verses—they’re telling stories, sparking conversations, and holding up a mirror to the city that raised them. Victims of Madness 2 is not only a milestone in their career—it’s a landmark for Kenyan hip-hop.
